Three unique screenprints by ÁLVARO SIZA available.

The prints were made by invitation and reproduce four original drawings by Álvaro Siza, created at different moments in his life. The works can be grouped into two, with the horse and religion/mythology as the main themes. These are not unfamiliar subjects for the architect, who learned to draw horses at a very young age and who, throughout his professional career, frequently engaged in architectural, design, and publication projects that conveyed a spiritual dimension related to religion and the interpretation of mythological stories that have endured into modern times.

MUTO! Now available his limited-edition series ‘We Are Not From Here’. Exclusively made with MS Paint.

Fala’s ‘wireframes’ limited edition light box now abailable!

Fala!

Andrei Tarkovsky placing the scale model house during the filming of Sacrifice (1986).

[...] The scenography aimed to create the experience of an almost spontaneous encounter with the artworks on display. This was not only communicated through the spatial typology of streets, alleys and small piazzas, but it was also crucially achieved by a relatively high density of artworks gathered together in the narrow spaces which forced one to walk by the sculptures in close proximity [...]

Excerpt text by Dirk van den Heuvel. First published in the catalogue accompanying the Art on Display exhibition.

[...] Stripping the Museum of that church atmosphere that excludes the uninitiated, stripping the paintings of their “aura” to present the work of art as “work,” highly specialized but still work; presenting it in a way that can be understood by the uninitiated [...]

Ecerpt from: Lina Bo Bardi, “Explicação sobre os museus,” in Estado de São Paulo, April 5, 1970.

Happy to welcome to the roster talented Nuno Melo Sousa!

Ludwig Mies van der Rohe, Lilly Reich, Velvet and Silk Cafe, Berlin, 1927.

SANAA, Poster for the Installation in the Barcelona Pavillion, 2008.

Chicago World's fair, German exhibition art section, 1893.

OMA, Content, Neue Nationalgalerie, Berlin, 2003.

Exhibition of International Architects, Bauhaus, Weimar, 1923.

For his participation at the first Venice Architecture Biennale curated by Paolo Portoghesi in 1980, Robert Venturi decided to exhibit a large-scale painting of the Vanna Venturi House.

1872 of casts in the Royal Architectural Museum, London, including figures and canopies from Notre Dame, Paris, taken by Bedford Lemere & Co. Victoria and Albert Museum, London.

DOGMA, The Urban Villa. From Speculation to Cooperation, Flanders Architecture Institute and Black Square, 2025.

Excerpts from AJDVIV’s first publication, devoted to experimental drawings.
In: Gallery Magazine N°1, 2020.

CHRISTOPHE VAN GERREWAY, Drawing Rescues Architecture, in: Log No. 51, Observations on architecture and the contemporary city (Winter/Spring 2021), pp. 9-18. Log© 2021 Anyone Corporation.

GG01 PRINCIPIUM opens its doors on October 11th at Saint-Martin Bookshop, Brussels. photo ©Celeste Tellarini

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